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Artwork For Sale

Source:- Google.com.pk
Artwork For Sale Biography
Yves Henri Donat Mathieu-Saint-Laurent, known as Yves Saint Laurent (French pronunciation: [iv sɛ̃ lɔʁɑ̃], August 1, 1936 – June 1, 2008),[1] was a French fashion designer, one of the greatest names in fashion history.[2] In 1985, Caroline Rennolds Milbank wrote, "The most consistently celebrated and influential designer of the past twenty-five years, Yves Saint Laurent can be credited with both spurring the couture's rise from its sixties ashes and with finally rendering ready-to-wear reputable."[3] He is also credited with having introduced the tuxedo suit for women, became the first designer to use ethnic models in his runway shows, and referenced non-European cultures in his work.[4]
Three documentaries have been made about Saint Laurent's life: David Teboul's "Yves Saint Laurent: His Life and Times" (2002), "Yves Saint Laurent: 5 Avenue Marceau 75116 Paris" (2002), and Pierre Thoretton's "L'Amour Fou" (2009).[5]
Contents  [hide]
1 Early life and education
2 Career
2.1 Young designer
2.2 Conscription, illness, and independence
3 Later life and death
3.1 Sale of art collection
4 References
4.1 Bibliography
5 External links
[edit]Early life and education

Yves Henri-Donat Matthieu-Saint Laurent was born on August 1, 1936, in Oran, Algeria, to Charles and Lucienne Andrée Mathieu-Saint-Laurent. He grew up in a villa by the Mediterranean with his two younger sisters, Michelle and Brigitte. Yves liked to create intricate paper dolls, and by his early teen years he was designing dresses for his mother and sisters. At the age of 18, Saint Laurent moved to Paris and enrolled at the Chambre Syndicale de la Couture, where his designs quickly gained notice. Michel De Brunhoff, the editor of French Vogue, introduced Saint Laurent to designer Christian Dior, a giant in the fashion world. "Dior fascinated me," Saint Laurent later recalled. "I couldn't speak in front of him. He taught me the basis of my art. Whatever was to happen next, I never forgot the years I spent at by his side." Under Dior's tutelage, Saint Laurent's style continued to mature and gain still more notice.[6]
[edit]Career

[edit]Young designer
In 1953, Saint Laurent submitted three sketches to a contest for young fashion designers, organized by the International Wool Secretariat. He won first place and was invited to attend the awards ceremony in Paris in December of that year.[citation needed] While he and his mother were in Paris, they met Michel de Brunhoff, editor-in-chief of the French edition of Vogue magazine. De Brunhoff, a considerate person known for encouraging new talent, was impressed by the sketches Saint Laurent brought with him and suggested he become a fashion designer. Saint Laurent would eventually consider a course of study at the Chambre Syndicale de la Haute Couture, the council which regulates the haute couture industry and provides training to its employees. Saint Laurent followed his advice and, leaving Oran for Paris after graduation, began his studies there and eventually graduated as a star pupil. Later that same year, he entered the International Wool Secretariat competition again and won, beating out his friend Fernando Sánchez and young German student Karl Lagerfeld.[7] Shortly after his win, he brought a number of sketches to de Brunhoff who recognized close similarities to sketches he had been shown that morning by Christian Dior. Knowing that Dior had created the sketches that morning and that the young man could not have seen them, de Brunhoff sent him to Dior, who hired him on the spot.
Although Dior recognized his talent immediately, Saint Laurent spent his first year at the House of Dior on mundane tasks, such as decorating the studio and designing accessories. Eventually, however, he was allowed to submit sketches for the couture collection; with every passing season, more of his sketches were accepted by Dior. In August 1957, Dior met with Saint Laurent's mother to tell her that he had chosen Saint Laurent to succeed him as designer. His mother later said that she had been confused by the remark, as Dior was only 52 years old at the time. Both she and her son were surprised when in October of that year Dior died at a health spa in northern Italy of a massive heart attack.[7]
Saint Laurent found himself at age 21 the head designer of the House of Dior. His spring 1958 collection almost certainly saved the enterprise from financial ruin; the straight line of his creations, a softer version of Dior's New Look, catapulted him to international stardom with what would later be known as the "trapeze dress." Others included in the collection were dresses with a narrow shoulder and flared gently at the bottom. At this time he shortened his surname to Saint Laurent because the international press found his hyphenated triple name difficult to spell.
His fall 1958 collection was not greeted with the same level of approval as his first collection, and later collections for the House of Dior featuring hobble skirts and beatnik fashions were savaged by the press.
In 1959, he was chosen by Farah Diba, who was a student in Paris, to design her wedding dress for her marriage to the Shah of Iran.[8]
In 1960, Saint Laurent found himself conscripted to serve in the French Army during the Algerian War of Independence. Alice Rawsthorn writes that there was speculation at the time that Marcel Boussac, the owner of the House of Dior and a powerful press baron, had put pressure on the government not to conscript Saint Laurent in 1958 and 1959 but reversed course and asked that the designer be conscripted after the disastrous 1960 season so that he could be replaced.
[edit]Conscription, illness, and independence


An early Yves Saint Laurent dress.


Examples of Saint Laurent's trend-setting Le Smoking evening trouser-suit for women.


A lady's trouser suit by Yves Saint Laurent.


An Yves Saint Laurent haute couture knitted dress.
Saint Laurent was in the military for 20 days before the stress of hazing by fellow soldiers caused his check-in at a military hospital, where he received news that he had been fired by Dior. This merely added fuel to the fire, and he ended up in Val-de-Grâce, a French military hospital, where he was given large doses of sedatives and other psychoactive drugs and subjected to electroshock therapy.[9] Saint Laurent himself traced the history of both his mental problems and his drug addictions to this time in hospital.[7]
After his release from the hospital in November 1960, Saint Laurent sued Dior for breach of contract and won. After a period of convalescence, he and his partner, industrialist Pierre Bergé, started their own fashion house with funds from Atlanta millionaire J. Mack Robinson.[10] The couple split romantically in 1976 but remained business partners.[11]
During the 1960 to the 1970, the firm popularized fashion trends such as the beatnik look; safari jackets for men and women; tight pants; tall, thigh-high boots; and arguably the most famous classic tuxedo suit for women in 1966, the Le Smoking. He also started mainstreaming the idea of wearing silhouettes from the 1920s, 1930s, and 1940s.
He was the first French couturier to come out with a full prêt-à-porter (ready-to-wear) line, although Alicia Drake credits this move with Saint Laurent's wish to democratize fashion,[12] others[who?] point out that other couture houses were preparing prêt-à-porter lines at the same time; the House of Yves Saint Laurent merely announced its line first. The first of the company's Rive Gauche stores, which sold the prêt-à-porter line, opened on the rue de Tournon in the 6th arrondissement of Paris, on 26 September 1966. The premier was attended by Yves Saint Laurent, and the first customer was Catherine Deneuve.[7]
Saint Laurent was also the first designer to use ethnic models in his runway shows and to reference other than European cultures in his work.[4] Many of his collections were received rapturously by both his fans and the press, such as the fall 1965 collection, which introduced Le Smoking tailored tuxedo suit. Other collections raised great controversy, such as his spring 1971 collection, which was inspired by 1940s fashion. Some felt it romanticized the German occupation of France during World War II, which he personally did not experience, while others felt it brought back the unattractive utilitarianism of the time. The French newspaper France Soir called the spring 1971 collection "Une grande farce!"[7]
During the 1960s and 1970s, Saint Laurent was considered one of Paris's "jet set."[12] He was often seen at clubs in France and New York, such as Regine's and Studio 54, and was known to be both a heavy drinker and a frequent user of cocaine.[7] When he was not actively supervising the preparation of a collection, he spent time at his villa in Marrakech, Morocco. In the late 1970s, he and Bergé bought a neo-gothic villa, Château Gabriel in Benerville-sur-Mer, near Deauville, France. Yves Saint Laurent was a great admirer of Marcel Proust who had been a frequent guest of Gaston Gallimard, one of the previous owners of the villa. When they bought Château Gabriel, Saint Laurent and Bergé commissioned Jacques Grange to decorate it with themes inspired by Proust's Remembrance of Things Past.[13]
The prêt-à-porter line became extremely popular with the public if not with the critics and eventually earned many times more for Saint Laurent and Bergé than the haute couture line. However, Saint Laurent, whose health had been precarious for years, became erratic under the pressure of designing two haute couture and two prêt-à-porter collections every year and turned more and more to alcohol and drugs. At some shows, he could barely walk down the runway at the end of the show, and he had to be supported by models.
After a disastrous 1987 prêt-à-porter show in New York City, which featured $100,000 jeweled casual jackets only days after the "Black Monday" stock market crash, he turned over the responsibility of the prêt-à-porter line to his assistants. Although the line remained popular with his fans, it was soon dismissed as "boring" by the press.[7]
[edit]Later life and death

In 1983, Saint Laurent became the first living fashion designer to be honored by the Metropolitan Museum of Art with a solo exhibition. In 2001, he was awarded the rank of Commander of the Légion d'Honneur by French president Jacques Chirac. He retired in 2002 and became increasingly reclusive, living at his homes in Normandy and Morocco with his pet French Bulldog Moujik.
He also created a foundation with Bergé in Paris to trace the history of the house of YSL, complete with 15,000 objects and 5,000 pieces of clothing.
A favorite among his female clientele, Saint Laurent had numerous muses that inspired his work. Chief among these was Mounia-his oft used "bride" and 'Porgy and Bess' thematic Couture-garment model and frequent YSL cover-model in Women's Wear Daily and French Vogue, Somali supermodel Iman, whom he once described as his "dream woman."[14] Other muses included Loulou de la Falaise, the daughter of a French marquis and an Anglo-Irish fashion model; Betty Catroux, the half-Brazilian daughter of an American diplomat and wife of a French decorator; Talitha Pol-Getty; French actress Catherine Deneuve; Nicole Dorier, a YSL top model in 1978–83, who became one of his assistants in organizing his runway shows and, later, the "memory" of his house when it became a museum; Guinean-born Senegalese supermodel Katoucha Niane; Togolese-born supermodel Rebecca Ayoko; supermodel Laetitia Casta, who was the bride in his shows in 1997–2002.
In 2007, he was awarded the rank of Grand officier de la Légion d'honneur by French President Nicolas Sarkozy.
He died June 1, 2008 of brain cancer at his residence in Paris.[15] According to The New York Times,[16] a few days before he died, Saint Laurent and Bergé were joined in a same-sex civil union known as a Pacte civil de solidarité (PACS) in France. He was survived by his mother and sisters; his father had died in 1988.
He was given a Catholic funeral at St. Roch Catholic Church in Paris.[17] Saint Laurent's body was cremated and his ashes scattered in Marrakech, Morocco, in the Majorelle Garden, a botanical garden that he often visited to find inspiration and refuge.[18] Bergé said at the funeral service: “But I also know that I will never forget what I owe you and that one day I will join you under the Moroccan palms” (translated from French). The funeral attendants included Empress Farah Pahlavi, Madame Chirac, and President Nicolas Sarkozy and his wife at the time.[19] Forbes rated Saint Laurent the top-earning dead celebrity in 2009.[20]
[edit]Sale of art collection
In February 2009, an auction of 733 items was held by Christie's at the Grand Palais, ranging from paintings by Picasso to ancient Egyptian sculptures. Saint Laurent and Bergé began collecting art in the 1950s. Before the sale, Bergé commented that the decision to sell the collection was taken because, without Saint Laurent, "it has lost the greater part of its significance," with the proceeds proposed for the creation of a new foundation for AIDS research.
Before the sale commenced, the Chinese government tried to stop the sale of two 18th-century bronze Chinese zodiac sculptures, which had been stolen from the Old Summer Palace by the French and British Forces, during invasion of China, in 1860. A French judge dismissed the claim. The sculptures — a rabbit's head and a rat's head – both sold for €15,745,000 ($20,117,073),[21] but it later became known that the bid had been placed by Cai Mingchao, a representative of China's National Treasures Fund, which was seeking to repatriate the items back to China; he claimed that he would not pay for them.[22]
On the first day of the sale, Henri Matisse's painting Les coucous, tapis bleu et rose broke the previous world record set in 2007 for a Matisse work and sold for 32 million euros. The record-breaking sale realized 342.5 million euros (£307 million).[23] The subsequent auction, November 17–20, included 1,185 items from the couple's Normandy villa, was not as impressive as the first auction, and featured the designer's last Mercedes-Benz automobile and his Hermès luggage.[24]
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